Aging is a slow theft of just about every physical thing that you had when you were younger but it does confer some benefits, if you’re paying attention. This poem has a sepia feel as nostalgia often does.
I think poets should, above all things, be noticing what goes on around them. This is a new kind of poem for me and I’m not even sure why, but it arrived in a strange fashion and it proceeded the same way. I don’t even know what I have here because I had very little sense of control. Sometimes the creative process is just plain peculiar in entirely new ways of weird. I have a hard time getting comfortable with the fact that the very act of creativity is constantly changing and I must go along for the ride or die. Sometimes I want to say, “Can’t we just do bumper cars today?” Somedays I just want, or I think I want, something safe, some easily recognizable path to go down but creativity has other plans. I could never drink enough to become a blackout drunk but sometimes I am a blackout poet. I come to, I look at the page and I say, “What happened? What is that thing?”
I think that most people don’t care a jot for all this yakking preamble but those people are likely to just jump down to the poem anyway. But there are some Substackers that like this “peak behind the curtain stuff” and this is for them.
This Autumn I can barely recall Spring. I was a comet, a sparkler sprinting across the lawn, creating vague retinal art, fizzing out before the treeline. As fast as I was, I outran nearly everything. Summer I remember better. Houses erupted around me, my hammer barely gripped. I roared on roof peaks, swatted problems like slow flies and slower pitches. I asked simple questions. I knew all the answers. Certainties abounded. But I can feel, upon me now, this autumn. We are both a little tired, not from today’s exertions but from all the days before. We woke weary but aware that today’s light is shorter and soon enough all frolicking will be muted by overcoats. In this slowly failing light we must make what we can, while we can. I miss all the certainty of the earlier seasons like an old love that never was true, but also unforgettable. There could be an Indian summer, but that’s merely a reprieve, a temporary stay, before the necessary fires of October and the embers that will follow. November and December will mercilessly blow and snatch the last leaves from the trees. There may be no more leaping into leaves piled high and pausing inside, astounded by the perfect smell that surrounds you, all so unforgettable. I have always scattered my ashes among the flower beds or where the moss wants to grow. I shook out the fine gray powder at the base of the trees, then all the way out to their branches’ span, echoing the roots below. That then, may be my dream; some ashes, some leaves to worship as I let slip my grip.
Oh my god Weston - I loved it all- your preamble, hearing about how the process takes you on a journey —an adventure, and you don’t know where you are going…. Just like the wind my friend…. And this piece is so beautiful it made my eyes water. Well done. So good and I feel so much of this, so deeply.
Oresti, this is brilliant. A word that doesn’t even give it justice.